Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Ostade, Adriaen van 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
19724 A Peasant Family Outside a Cottage Ostade, Adriaen van A Peasant Family Outside a Cottage 1668 Oil on paper laid on canvas
43205 An Alchemist Ostade, Adriaen van An Alchemist mk170 1661 Oil on oak 34x45.2cm
43208 An Alchemist Ostade, Adriaen van An Alchemist mk170 1661 Oil on oak 34x45.2cm
19716 Drinking Figures and Crying Children Ostade, Adriaen van Drinking Figures and Crying Children 1634 Oil on panel.
24277 Interior of a Peasant's Cottage (mk25 Ostade, Adriaen van Interior of a Peasant's Cottage (mk25 1668
19719 Lawyer in his Study Ostade, Adriaen van Lawyer in his Study Oil on panel Museum Boymans van Beuningen, Rotterdam.
19715 Merrymaking Outside an Inn Ostade, Adriaen van Merrymaking Outside an Inn Oil on canvas.
19723 Peasant Family in an Interior Ostade, Adriaen van Peasant Family in an Interior 1661 Oil on panel.
21763 Peasants Carousing in a Tavern (mk08) Ostade, Adriaen van Peasants Carousing in a Tavern (mk08) c.1635 Oil on canvas, 28.8x36.3cm Munich Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
19717 Peasants Making Merry in a Tavern Ostade, Adriaen van Peasants Making Merry in a Tavern 1635 Panel Alte Pinakothek, Munich.
19720 Sight Ostade, Adriaen van Sight Oil on panel The Hermitage, St. Petersburg.
19722 The Drinker and the Smoker Ostade, Adriaen van The Drinker and the Smoker Oil on panel.
19718 Villagers Merrymaking at an Inn Ostade, Adriaen van Villagers Merrymaking at an Inn 1652 Oil on panel Toledo Museum of Art.
19721 Woman Holding a Child in her Lap Ostade, Adriaen van Woman Holding a Child in her Lap 1652 Oil on panel Private collection.
Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
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